undated (#07), HLS to Merton, 'Thank you so much for your nice book. I've'

Identity elements

Reference code

US US-kylobm TMC-1b-B-052-#8

Name and location of repository

Level of description

Item

Title

undated (#07), HLS to Merton, 'Thank you so much for your nice book. I've'

Date(s)

  • undated (Creation)

Extent

1 page(s); Holograph (handwritten) signed letter.

Name of creator

(1926-2019)

Biographical history

Marina de Berg was a dancer and an actress in Paris. Born in Helsinki, Finland to parents of French and Russian orgin, she was orphaned at a young age. She achieved fame early in life as a ballerina and dancer and then as an actress primarily in the latter half of the 1940's. In the early 1950's and some professional setbacks, she questioned her place in the what she called the "wild frivolities" of life in the arts in Paris at the time. She recounts her decision to try a religious vocation with the Trappistine nuns in an autobiographical work, Trois ans à la Trappe in 1959 (translated into English as Heaven by the Hems: From Stage to Cloister, published by Sheed and Ward in 1961). She entered the Abbaye Notre-Dame de Saint-Joseph d'Ubexy, Charmes, France, in August of 1952. After a period of ill health and struggle with the rigors of the lifestyle, she left the nuns and began writing.

Content and structure elements

Scope and content

First lines: "Thank you so much for your nice book. I've read"... Contents index: beginning a new book / asking if Merton would write a brief introduction to her «Trois ans à al trappe».

System of arrangement

Conditions of access and use elements

Conditions governing access

Technical access

Conditions governing reproduction

Languages of the material

  • English

Scripts of the material

    Language and script notes

    Finding aids

    Acquisition and appraisal elements

    Custodial history

    Immediate source of acquisition

    Appraisal, destruction and scheduling information

    Accruals

    Related materials elements

    Existence and location of originals

    Existence and location of copies

    Related archival materials

    Related descriptions

    Notes element

    Specialized notes

    Alternative identifier(s)

    Description control element

    Rules or conventions

    Sources used

    Access points

    Subject access points

    Place access points

    Name access points

    Genre access points

    Accession area