Identity elements
Reference code
Name and location of repository
Level of description
Title
Date(s)
- 1958-1964 (Creation)
Extent
1 folder(s), 35 item(s), 70 page(s)
Name of creator
Biographical history
Jaime Andrade was an Ecuadorian sculptor and engraver from Quito. Merton commissioned him to do a statue of the Virgin Mary and child Jesus in dark wood for the novitiate library.
Content and structure elements
Scope and content
In this letter to an artist, Merton begins by commissioning a statue, but begins to explore the possibility of founding a new monastery near Quito. The English translation of the 1958/11/16 letter is a copy from the Gethsemani Abbey Archives and was enclosed in a letter sent from Dom James Fox to Abbot General Gabriel Sortais, see "Fox, James, Dom" file.
System of arrangement
Records are arranged chronologically. Records are not divided into Series.
Conditions of access and use elements
Conditions governing access
Usage permission for letters to Merton from Columbia University must be obtained from the Columbia University Rare Book and Manuscript Library. Regulations governing use of the collection can be found here: (‹https://bellarmine.libraryhost.com/index.php/rules›).
Technical access
Conditions governing reproduction
Languages of the material
Scripts of the material
Language and script notes
Finding aids
Acquisition and appraisal elements
Custodial history
Immediate source of acquisition
Appraisal, destruction and scheduling information
Accruals
Related materials elements
Existence and location of originals
Existence and location of copies
Related archival materials
See published letters from Merton to Jaime Andrade in «The School of Charity» (‹https://bellarmine.on.worldcat.org/search?queryString=no%3A26858206›), pp. 107-109, 111-115, and 248; see also "Endara, Julio".
Related descriptions
Notes element
Specialized notes
Alternative identifier(s)
Description control element
Rules or conventions
Sources used
Caption of headline photo: Jaime Andrade sends a slide of some of his mosaic art in his August 1964 letter.